Slightly Off the Mark: Why We Love Trouble is a mystery

See that little play on words I did with the title? No? Never mind.

I finished the final polishing of We Love Trouble. It tops out at 81,000 words--still the longest novel I've written yet. Boy, is writing a mystery tough: characters, suspects, clues, red herrings, ghosts, horses, Bigfoot ...

Well, it's that kind of story.

I already have Beowulf: In Harm's Way, Fire On Mist Creek, and Summer Jobs Are Murder at various points in the submission process, and I think I'll send this one out on the literary agent hunt. I really like it ... which doesn't mean it's good, of course, but if readers have half as much fun reading it as I did writing it, it should do pretty well.

I've described We Love Trouble as "The Thin Man meets Scooby Doo". For those of you who don't remember "The Thin Man", I could also describe it as "Hart to Hart Meets Scooby Doo". For those who don't remember "Hart to Hart", I'm at something of a loss. I assume everyone has heard of Scooby Doo.

I finished a submission cover letter, and here's one of the blurbs I came up with:

A near collision with a riderless horse leads travel bloggers Travis and Victoria Noble to an unconscious teenager—then to a dead man. A quiet Indiana camping trip for the Suzuki twins and their steeds has become a conspiracy involving horse racing, blackmail, and … morel mushrooms.

It's another fun mystery for the always helpful Nobles, who are so used to being suspects they have bail money on speed dial. Not so for their dog Wulfgar, whose unusual talents include seeing dead people. He struggles to protect his humans and pass on what the ghosts tell him: Something's unusual about the twins' horses, and the threat to the Suzuki family—and the Nobles—is far more than supernatural.

Yeah, I'd read that. Well, I already have, about a dozen times.