There are two ways to approach a summer blockbuster Action/SF movie: Compare it to "Citizen Kane" and snipe at everything you think could have been done better; or buy the cup, sit back, and enjoy the ride.
We bought the cup.
"Star Wars: The Mandalorian and Grogu" is set after the end of the original trilogy at a time when the New Republic is trying to eliminate the last vestiges of the Galactic Empire. It's also, of course, a spinoff of "The Mandalorian" series, and if you're a Star Wars fan you'll see plenty of callbacks and Easter eggs. The non-Star Wars fan can still watch and enjoy the show, which explains enough of the universe it's in to keep things straight. Sometimes franchise movies are good at that; sometimes, not so much.
Pedro Pascal plays Din Djarin, a member of a cult of Mandalorian warriors who never remove their helmets. In fact, we only see Pascal's face in one scene, which begs the question: How do we know it's not a stuntman in that armor the whole time? Well, we don't, although how different is that from an animated show? Darth Maul is Darth Maul in every medium.
This is the way. On a related note, Grogu was done with live-action puppetry at the urging of the legendary Werner Herzog, who saw the efforts to go CGI and said, "You're cowards. Leave it." He was right.
A former bounty hunter, Djarin has adopted Grogu, formerly known as "Baby Yoda". (He's not: Yoda, at this point in the story, has passed on.) Grogu is a Force-wielding baby, less than a hundred years old and not yet talking. That kind of makes him Djarin's apprentice, and Heaven help everyone if he ever gets his hands on a lightsaber.
The Mandalorian used to find people for gangsters, but he's given that up and now works for the New Republic, tracking down Imperial bad guys. When the local New Republic leader gives him his new assignment ... it's to find someone for gangsters, who say they have information on Imperial movements. His quest is to rescue the son and heir of the now deceased Jabba the Hut, who turns out to be not all that eager to be rescued.
(By the way, Sigourney Weaver took on the role of Colonel Ward because she wanted to act with Grogu.)
Things go sideways, of course. A lot.
Which brings us back to the only important question when it comes to a movie: Is it entertaining?
(I know people disagree on that: It seems like the Oscars usually go to movies that I find wildly un-entertaining.)
But yes. "The Mandalorian and Grogu" is a slam-bang thrilling adventure with just enough humor, and also just enough pauses in the action (I'm looking at you, Baby Yoda), and doggone it, isn't he cute? The movie also has one of my favorite cameo "appearances" ever: I actually blurted his name out loud when it appeared on the opening credits, and I don't do that.
It's basically a space western, and that's a compliment. Apparently some people have been complaining that it's just like an episode of The Mandalorian TV show. That's also a compliment.
It's the best Star Wars movie since "Rogue One", coming from one of the best Star Wars series ever. Naturally, that depends on who you ask, because being agreeable is how I roll. This is my way.
My rating:
Entertainment value: 5 out of 4 M&Ms. My rating system, my rules.
Oscar potential: 2 out of 4 M&Ms. There is Academy Award worthy work going on here, but this movie has zero chance of snagging one of the big categories. Still, it has an outside chance of putting Star Wars movies back on track.
Of course, after the movie you’ll want to look us up:
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Remember: This is the way.





