NaNoWriMo novel ... first draft finished! 58,264 words, a number that's sure to grow between now and the final draft. Hope everyone had a fun month of writing!
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There's an old saying in the writing biz: Write what you know.
If taken literally, it's a dumb saying.
How well did Baum know flying monkeys? When was the last time Clarke set foot inside a giant alien spaceship? How much time did I spend in a girl's summer camp?
Just to be clear, I did not spend any time in a girl's summer camp, except when it was empty during the off season. And yet I still set my novel The No-Campfire Girls inside a girl's summer camp. And by the way, my main character was a teenage girl, and I have no experience being one of those, either.
So "write what you know" has only limited usefulness as a rule, although like many rules there's a germ of truth in it. Certainly an author should research their subject as much as possible. I can take liberties when creating my spaceship, the hapless corvette Beowulf. Similarly, Baum wasn't worried about anyone complaining, "That's not like any Tin Woodman I ever met!" But if you have a character put a silencer on a revolver, you're going to hear about it.
The same goes for setting. If you set your book in New York City, you'd better darned well know which street will get you to the George Washington Bridge. If you create your own fantasy land (and haven't we all done that), you'd better understand why your main city gate faces westward, and which bridges you're likely to find trolls under. Or, you could combine the two and make a trollgate.
I've taken the easy way out up until now. My first two novels and their accompanying short story collection were set in Noble County, Indiana, a place I'm pretty familiar with--having lived there all my life. My fourth book in that series was The No-Campfire Girls and also set in Indiana, although the southern part of the state. While I have little experience with summer camps, I toured my wife's Girl Scout camp, and based the layout of my Camp Inipi on it.
Finally I set a novel outside Indiana--but Radio Red takes place in the area of northwest lower Michigan where I used to vacation frequently, and I was pretty familiar with it. Real places have that advantage, that you can steal locales. There are also disadvantages: In The Notorious Ian Grant, my characters visited a flower shop in Albion, Indiana, in a building where I used to live. That's fine, but the flower shop later moved out.
So there you have the pros and cons of real and fake settings. When I started planning my NaNoWriMo novel I was going to again set it in Indiana, but at the last moment I decided to mix it up a bit: Fire on Mist Creek (On? At? On.) is set in northern Kentucky. It's not far over the Indiana state line, but I'm still dipping a toe into another area.
My town, Mist Creek, is made up, and based to an extent on the towns near where my grandparents lived when I was a kid. But that was southeastern Kentucky, in a mountainous region--well, mountainous to a Hoosier. For the new book, I pictured the other side of the Ohio River from the Madison, Indiana area, which is not nearly as up and down. My wife and I have also kicked around setting it closer to Paducah, also a Kentucky region ... but if you cross the Ohio there you're in Illinois.
I think south from Madison gives me a terrain more accurate to what I'm envisioning: hilly, rugged in places, a rural character where small towns have a certain amount of isolation. You people down there in places like Bedford, LaGrange, and Pendleton, let me know if I'm wrong!
Speak of the Devil: A Day In The Life Of A Dog
Speak of the Devil: A Day In The Life Of A Dog: It is time once again for the point of view of the dog and the cat. As always, the dog gets things started. 7:09 AM. Waking up at ...
50 Authors from 50 States: Christy Award Nominated Author, Roseanna M. White ...
50 Authors from 50 States: Christy Award Nominated Author, Roseanna M. White ...: In one of the first bios I ever wrote for myself, I included the sentence: Roseanna M. White grew up in the mountains of West Virginia, the...
Happy Book Selling Season
Being preoccupied with National Novel Writing Month, which is by definition a month long, I haven't done any work to sell my books in November.
You're welcome.
There's no better way to tell if promotion works than by not doing it for awhile, and sure enough--promotion works. So, although you're already inundated with people asking you to buy stuff this time of the year, I'm asking you to buy stuff.
It's the perfect time, since you can give my books for Christmas, or read them yourself and then gift them (be careful with coffee, and cookie crumbs). We have nine books now, which still astounds me, and the best place to check them all out remains our website at:
www.markrhunter.com
For those of you who don't do the internet shopping thing, to my knowledge the only place where you can physically pick up copies is the Noble Art Gallery, at 100 E. Main Street (the corner of Main and Orange) in Albion, Indiana. They don't have my latest book, because things have been crazy in my life and I haven't had time to talk to them about carrying it, but I believe they have all the others--and if you want to see Radio Red, just contact me or them and I'll get it up there. The advantage is that the Noble Art Gallery also has all sorts of art from all sorts of other artists, so you can support them and do some Christmas shopping.
The exception is the Barnes and Noble store at Glenbrook Square in Fort Wayne, which as of a couple of months ago still had a few copies of Images of America: Albion and Noble County.
If you do like online shopping, go to amazon.com or the Barnes and Noble website, do a book search for Mark R Hunter, and there I am. Many of our books are around at other websites, too, including the Simon and Schuster site.
And finally, just contact me or Emily! We have a supply of books at home--if it's not too far from Albion, we'll even deliver. Get them from me, our website, or the Noble Art Gallery, and you can get them signed. In our house, we still do cursive.
Also we'll do bulk discounts for someone who wants to, say, buy three or four books. Or nine.
You're welcome.
There's no better way to tell if promotion works than by not doing it for awhile, and sure enough--promotion works. So, although you're already inundated with people asking you to buy stuff this time of the year, I'm asking you to buy stuff.
It's the perfect time, since you can give my books for Christmas, or read them yourself and then gift them (be careful with coffee, and cookie crumbs). We have nine books now, which still astounds me, and the best place to check them all out remains our website at:
www.markrhunter.com
For those of you who don't do the internet shopping thing, to my knowledge the only place where you can physically pick up copies is the Noble Art Gallery, at 100 E. Main Street (the corner of Main and Orange) in Albion, Indiana. They don't have my latest book, because things have been crazy in my life and I haven't had time to talk to them about carrying it, but I believe they have all the others--and if you want to see Radio Red, just contact me or them and I'll get it up there. The advantage is that the Noble Art Gallery also has all sorts of art from all sorts of other artists, so you can support them and do some Christmas shopping.
The exception is the Barnes and Noble store at Glenbrook Square in Fort Wayne, which as of a couple of months ago still had a few copies of Images of America: Albion and Noble County.
If you do like online shopping, go to amazon.com or the Barnes and Noble website, do a book search for Mark R Hunter, and there I am. Many of our books are around at other websites, too, including the Simon and Schuster site.
And finally, just contact me or Emily! We have a supply of books at home--if it's not too far from Albion, we'll even deliver. Get them from me, our website, or the Noble Art Gallery, and you can get them signed. In our house, we still do cursive.
Also we'll do bulk discounts for someone who wants to, say, buy three or four books. Or nine.
NaNoWriMo ... winner!
Who's a National Novel Writing Month winner???
That's right ... I am!
52,265 words so far, baby. Actually, One more chapter and I'll have the first draft of Fire On Mist Creek done ... although I've already thought of another scene I need to go back and put in, and a few more things to add along the way. I'm figuring around 65,000 words when all is said and done.
Then major revisions, followed by minor revisions, followed by polishing. Then Emily will go through it and find all the stuff I missed. Then I'll put it aside for a month or so to "cool" ... then I go back and start the revision process all over again. January will be National Novel Editing Month. (Actually I think there really is one of those.)
But still ... I got the 50,000 in as required, so I totally won #NaNoWriMo2017 !!!
That's right ... I am!
52,265 words so far, baby. Actually, One more chapter and I'll have the first draft of Fire On Mist Creek done ... although I've already thought of another scene I need to go back and put in, and a few more things to add along the way. I'm figuring around 65,000 words when all is said and done.
Then major revisions, followed by minor revisions, followed by polishing. Then Emily will go through it and find all the stuff I missed. Then I'll put it aside for a month or so to "cool" ... then I go back and start the revision process all over again. January will be National Novel Editing Month. (Actually I think there really is one of those.)
But still ... I got the 50,000 in as required, so I totally won #NaNoWriMo2017 !!!
Suppose I should take a little time out now to pet the dog. |
Making the Holidays More Holiday-ish
Just a little fun from last year ... or was it the year before? All these holidays tend to blur together ...
SLIGHTLY
OFF THE MARK
I always feel a little
disjointed when the holidays arrive. I’m never ready for Thanksgiving, which
is followed within hours by Christmas, and minutes after that by New Year’s
Eve, followed immediately by several months of miserable winter. I’m never ready.
And yet, the holidays
come every year. So, what’s my excuse?
“Gee, I thought for sure it wouldn’t happen this time. Why
was I not warned?”
My mother calls every
year to find out when we want to celebrate Thanksgiving. We never celebrate
Thanksgiving on Thanksgiving—that
would be too easy. But many of us work in the service industry. In my 911
center, we almost never close down for the holidays. Okay, we took a few hours
off when the Cubs won, but otherwise …
Many of my other
relatives work in the more difficult service jobs, the ones where you have to
work a register and deal with customers face to face. They don’t take 911
calls, but they often make 911 calls. I think I’d rather be on the receiving
end. It’s because of their jobs that we can’t celebrate a holiday on a holiday.
It used to be they were busy on Thanksgiving, setting up for Black Friday; now
they’re busy on Thanksgiving, having
Black Friday.
If you’re old, like me—I
always feel old when the days get shorter—you’ll remember a time when everything
shut down for Thanksgiving and Christmas. Go out for Thanksgiving dinner? What
a turkey of an idea. Go shopping that same evening? There are ball games to
watch, people. But these days we’re thankful for our alarm clock, so we can get
up at 3 a.m. to work our part time job in riot control at Best Buy.
"Don’t worry, ma’am: A
little ventilation will get that pepper spray right out of your new flat screen
TV."
So mom calls, asking if we want to have Thanksgiving the Sunday before, or the Saturday after.
“But mom,” I say, “Why worry about that in August?”
“It’s November, dear.”
“But what happened to
Halloween?”
“Your cardiologist
ordered us not to say you missed it until November 7th.”
“But—the full sized candy
bars!”
The irony is that there
are plenty of reminders that the holidays are approaching. This year I saw my
first store Halloween display in August, and my first Christmas display in
September. It was 90 degrees. Nothing says Christmas like watching a plastic
Santa melt like the Wicked Witch.
“Ho ho oh noooooo!!!!”
Nothing left but a
bubbling pool of liquid on the floor, smelling faintly of peppermint and
gingerbread. It’s enough to make you hit the eggnog.
Maybe my denial about the
approaching holidays is an unconscious response to the cheapening of those same
holidays, the way they come earlier and earlier. It’s not special any more. One
year, on January third, I started poking through Christmas clearance items when
I was stopped by an employee:
“Sir, those aren’t
available for purchase yet—we’re putting up the store display tomorrow.”
It gets confusing. The
Valentine’s Day cupid wears a fur lined red hat, and instead of a bow carries a
little bundle of fireworks. Every time you pass him he says, “Happy Easter!”
and tries to give you pumpkin shaped candy, while waving a sign advertising a
President’s Day sale. On Thanksgiving.
The underlying meaning of
all holidays has blurred into one unmistakable message:
“Give us money, and we’ll
give everyone ‘free’ stuff that will make us all happy.”
Which they stole from
politicians, but never mind.
Thus my idea for a new
federal law: No holiday can be mentioned more than six weeks before the actual
date. No holiday decorations can be put up longer than the time between
Thanksgiving and Christmas. No special sales can be held on an actual holiday,
with the exception of President’s Day, which is a lost cause.
One exception: Christmas
lights can be put up outside while the weather is still good, as long as
they’re not turned on before Thanksgiving. If they’re lit (or inflated) earlier,
it’s open season for anyone with a rifle, paintball gun, blow gun, lawn darts,
or snowballs. Or bazookas. No, that’s overkill—literally.
Our aim should be to make
holidays special again, and you can’t do that if the holiday never goes away.
If you go to the party store and can’t remember if your decorations are
supposed to be red and green, or pink, or red, white and blue, then you’re
doing it wrong.
How do you know if you’re
doing it right? Well, I suppose you’ve got the right attitude if you’re
thankful. If you’re giving. If you’re getting along with people, or at least
trying to. You know, the good will thing.
And if that doesn’t work,
you could try giving me some of your Halloween candy.
For Christmas.
50 Authors from 50 States: The Washington of H L Wegley
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NaNoWriMo special: Naming characters
45,000 words! Way ahead of schedule.
Naming characters is one of the great joys of a fiction writer, when it's not one of their great nightmares.
We all want to come up with the next Sherlock Holmes, or Indiana Jones, or Stan Lee. (Isn't he a character?) It can be more complicated according to the genre: With science fiction you might need a Han Solo, with fantasy a Bilbo Baggins. Alliteration is your friend ... sometimes. After all, we have Clark Kent, or anyone invented by the previously mentioned Stan Lee.
Sometimes I go to great effort to give my character names meaning, while other times I just go with what sounds good. In my first published novel, my male protagonist was famous for taking extreme risks, even as he denied being a risk taker. His name? Chance, of course.
With its sequel, The Notorious Ian Grant, I was creating a character who already had a last name--he's the son of a minor character from Storm Chaser. I wanted something to fit his rakish, shall we say notorious personality, and settled on Ian. I also had to take into consideration what his father, an old school type, would have named him.
Often I painstakingly go through the meanings, sorting through my close to a dozen books about names (hey, I'm ready to name your baby!) And that's fine, but it might be more important to pick out a name that just doesn't conflict in other ways.
Do you have two characters whose names begin with an R? Or do all your characters have one syllable last names? Do the first and last names fit together? Say my name fast, without the middle initial ... I wouldn't give a character my name. Look at your cast list, and make sure two of the names aren't too like each other.
You might also consider whether to give your characters names that could apply to either sex, like Robin. I love the female name, Dani. But if Dani's best friend and her family all call her Dan, it could cause some confusion with the reader.
Then there's the question of ethnic names. In the Storm Chaser series is a character named Fran--her full name is Francesca. In my unpublished novel Beowulf: In Harm's Way is a character named Sachiko Endo, whose parents hail from Japan by way of another planet. Now, that story is set 500 years in the future, so there's no reason to think someone named Maria Nejem or Mohan Singh are from any particular place on Earth, or even from Earth at all. But there's also no reason to think my ship's crew will all have names like James and Leonard.
My current novel in progress is a romantic comedy. While the romance genre doesn't have the strict rules it once did, there are certain limitations on names, at least for American audiences. Colin and Wyatt are fine names for male protagonists, depending on the sub-genre; Larry Duckworth would probably not be your male lead.
I named my male protagonist Reed Carter. Why? Because I liked it; I had a backache at the time and didn't feel like looking up meanings. These things happened. Similarly, my female lead is Alice Delaney: I've always liked Alice, and Delaney had an extra syllable that seemed to work well with the first name, and Reed's name.
Now, with secondary names you can have a bit more fun, but be careful if your character might end up with a larger role in a sequel, or series. In Storm Chaser, I gave Chance Hamlin's little sister the name Beth, mostly as an afterthought. She was just a minor character, after all. But in the tradition of Urkels and Fonzies everywhere, she took on a life of her own and has so far shown up in three novels and a short story collection. If, in the new book, Alice's friend Rina Quade takes off, hopefully I'll be able to live with the name.
Finally there's naming characters after friends, family members, and enemies.
Don't.
Well, not without their approval, anyway. Never underestimate the power of people to be offended. Of course, if the character has a different last or first name, and their hair color is different, or even if they're of different gender, hey--just a coincidence, right? Before you do this, know who you're honoring. If you're dishonoring them, change the character around a lot.
My new book (working title Fire on Misty Creek) is set in northern Kentucky. It features a volunteer fire department, and to fill out its membership roles I chose popular last names from Knott County, where my relatives came from--even though its in southeast Kentucky. A little honoring of the roots, there.
The important part, when choosing names, is to have them fit the character, and to avoid confusion. If you end up with a Sherlock Holmes, that's just gravy.
Naming characters is one of the great joys of a fiction writer, when it's not one of their great nightmares.
We all want to come up with the next Sherlock Holmes, or Indiana Jones, or Stan Lee. (Isn't he a character?) It can be more complicated according to the genre: With science fiction you might need a Han Solo, with fantasy a Bilbo Baggins. Alliteration is your friend ... sometimes. After all, we have Clark Kent, or anyone invented by the previously mentioned Stan Lee.
Sometimes I go to great effort to give my character names meaning, while other times I just go with what sounds good. In my first published novel, my male protagonist was famous for taking extreme risks, even as he denied being a risk taker. His name? Chance, of course.
With its sequel, The Notorious Ian Grant, I was creating a character who already had a last name--he's the son of a minor character from Storm Chaser. I wanted something to fit his rakish, shall we say notorious personality, and settled on Ian. I also had to take into consideration what his father, an old school type, would have named him.
Often I painstakingly go through the meanings, sorting through my close to a dozen books about names (hey, I'm ready to name your baby!) And that's fine, but it might be more important to pick out a name that just doesn't conflict in other ways.
Do you have two characters whose names begin with an R? Or do all your characters have one syllable last names? Do the first and last names fit together? Say my name fast, without the middle initial ... I wouldn't give a character my name. Look at your cast list, and make sure two of the names aren't too like each other.
You might also consider whether to give your characters names that could apply to either sex, like Robin. I love the female name, Dani. But if Dani's best friend and her family all call her Dan, it could cause some confusion with the reader.
Then there's the question of ethnic names. In the Storm Chaser series is a character named Fran--her full name is Francesca. In my unpublished novel Beowulf: In Harm's Way is a character named Sachiko Endo, whose parents hail from Japan by way of another planet. Now, that story is set 500 years in the future, so there's no reason to think someone named Maria Nejem or Mohan Singh are from any particular place on Earth, or even from Earth at all. But there's also no reason to think my ship's crew will all have names like James and Leonard.
My current novel in progress is a romantic comedy. While the romance genre doesn't have the strict rules it once did, there are certain limitations on names, at least for American audiences. Colin and Wyatt are fine names for male protagonists, depending on the sub-genre; Larry Duckworth would probably not be your male lead.
I named my male protagonist Reed Carter. Why? Because I liked it; I had a backache at the time and didn't feel like looking up meanings. These things happened. Similarly, my female lead is Alice Delaney: I've always liked Alice, and Delaney had an extra syllable that seemed to work well with the first name, and Reed's name.
Now, with secondary names you can have a bit more fun, but be careful if your character might end up with a larger role in a sequel, or series. In Storm Chaser, I gave Chance Hamlin's little sister the name Beth, mostly as an afterthought. She was just a minor character, after all. But in the tradition of Urkels and Fonzies everywhere, she took on a life of her own and has so far shown up in three novels and a short story collection. If, in the new book, Alice's friend Rina Quade takes off, hopefully I'll be able to live with the name.
Finally there's naming characters after friends, family members, and enemies.
Don't.
Well, not without their approval, anyway. Never underestimate the power of people to be offended. Of course, if the character has a different last or first name, and their hair color is different, or even if they're of different gender, hey--just a coincidence, right? Before you do this, know who you're honoring. If you're dishonoring them, change the character around a lot.
My new book (working title Fire on Misty Creek) is set in northern Kentucky. It features a volunteer fire department, and to fill out its membership roles I chose popular last names from Knott County, where my relatives came from--even though its in southeast Kentucky. A little honoring of the roots, there.
The important part, when choosing names, is to have them fit the character, and to avoid confusion. If you end up with a Sherlock Holmes, that's just gravy.
He is Groot. |
The opening scene of my NaNoWriMo novel
Now remember, this is still the rough draft of the book I'm doing for National Novel Writing Month. Certainly changes will be made before it's finished, maybe many changes--it's already different from how I originally envisioned it. Changes might include the name of the dog, which right now is named after a Dalmatian I once owned--I just gave it the same name out of convenience.
The same goes for the title. I like Fire On Mist Creek ... although it should be pointed out that at no time in the story will there be a literal fire on the creek. Anyway, here's the opening scene:
The same goes for the title. I like Fire On Mist Creek ... although it should be pointed out that at no time in the story will there be a literal fire on the creek. Anyway, here's the opening scene:
FIRE
ON MIST CREEK
CHAPTER
ONE
Alice didn’t have to be a firefighter to
know the truck had been on fire.
She switched on her SUV’s hazard lights
and slowed down, passing the pickup truck before coming to a stop on the berm.
It didn’t take great detective skills, either: A red fire extinguisher and an
empty water jug stood near the truck’s hood, which was propped open. The
underside of the hood was covered with whirls of smoke and scorch marks, and in
the glow of her taillights she could see the slightest wisp of smoke drift up
from the engine.
Grabbing her Maglite, Alice opened the
door and stepped out. Her passenger let out a mournful howl, and she turned
toward the elderly Dalmatian. “You need a potty break, Halon?”
Halon wagged her tail. “Well, it’s not
like there’s a lot of traffic at three in the morning.” She left the door open,
and the dog climbed down. There was a passing lane here, a third lane added to
let drivers get by semis climbing the slope away from Mist Creek, although the
truck had been headed toward the town. Passing lanes were common in this hilly
section of northwest Kentucky, but at this hour it just meant a lonely stretch
of highway seemed lonelier.
Alice played her light over the pickup
truck while Halon headed for the side of the road. After a moment Alice
approached, shining the light inside to confirm a lack of occupants. Two old,
battered suitcases and a backpack appeared to have been abandoned in the truck
bed. She was reaching for her cell phone when Halon started whining and she
glanced over, to see the old girl beside the guardrail, wagging her tail.
Along with another shadowy figure.
Alice’s heart skipped a beat, and it took
a second for her to recover enough to shine the light that way. The man sitting
against the railing paid her absolutely no attention—he was busy petting the
dog.
“How you doing, girl? Love a Dalmatian,
and you’re an extra cute one.” Now he glanced up, shading his hazel eyes. “Is
this your guard dog?” Halon laid down and rolled over, presenting her belly to
the stranger. “Guess not.”
“She’s supposed to be tearing your arm off
right now.”
“Well, I’m sure she’ll get around to it.”
He commenced belly rubbing, making one of Halon’s back legs twitch.
After an automatic moment of caution,
Alice had to relax a bit at the way Halon took to the man. Usually the dog was
a bit standoffish toward anyone who wasn’t a Mist Creek resident, or a …
Ah. When he looked up again, Alice
recognized the Maltese cross on the newcomer’s t-shirt. A glimpse of his
wristwatch showed the same symbol, and she relaxed more. “Have a fire,
fireman?”
“Nothing I couldn’t handle—I had a backup
supply of drinking water. If that hadn’t done it, I’ve been on the road for a
while and haven’t seen a rest stop.” He stood, revealing himself to be half a head
taller than Alice—maybe six foot three. His sandy hair was cut short, but he
sported at least a day’s stubble. Halon stood on her hind legs to lean against
his muscular chest, so he went back to petting her. “Oh, and I believe the term
these days is firefighter. You look like you are one.”
“The dog?”
“The front license plate that says ‘Mist
Creek Fire Department’, and that little red light bar on your Ford. Where I
come from there’s no place for a vanity plate.” He smiled.
Nice smile—wherever he came from
apparently had a good dental plan. She could so be a detective. “I’m Alice.”
“Reed Carter.” They shook hands, which
struck her as faintly ridiculous. He had a good grip, and less calloused hands
than she would have expected. Halon wedged between them in a push for more
loving, which this time Alice provided. “I would have called for help, but it
appears your hills are phone service resistant.”
“Just passing through?” A reasonable
question, she thought. Technically they were on a Kentucky state highway, but
it didn’t get much traffic, especially lately.
“Well …” Halon jumped up, planting her
forelegs on his chest again. He rubbed her back, then gently lowered her to the
ground. “It depends on whether your dog is the biggest tourist attraction. Is
there a motel in Misty Creek?”
“Mist Creek. A few miles past, but it’s right along
this highway. How do you plan to get there?”
Apparently he hadn’t thought of that. “Um
…” He glanced back at the truck. “Well, I’ll just walk. The weather’s nice for
this time of year—it’s October now, isn’t it? Seems like it should be cooler.”
Alice’s mind was on anything but the
weather. Reed Carter looked a few years older than her, maybe thirty-five, and
he was built like—well, a firefighter. Overall he seemed like a pretty normal
person, if you could call firefighters normal, but she had to keep in mind that
he was a stranger.
Halon broke away from her and rubbed
against Reed’s leg. He reached down to scratch behind her ears.
Okay, Alice might have lost her skills at
judging men, but Halon could be trusted all day long. “Put your stuff in the
back. I’ll give you a ride to the motel.”
Reed blinked. “You will?”
“Firefighters.”
She didn’t miss the look of gratitude on
his face, but he said only, “We’re all brothers … and sisters.”
She reached into the pocket of her
windbreaker, which suddenly seemed too warm, and pushed the button to unlock
the SUV’s gate. “You’re not a pervert, are you?”
“No more than average. You’re not hauling
uranium or nitroglycerin, are you?”
“Not this week. This week I’m serving with
the Town Watch.” She felt a little silly identifying her more or less official
position, and realized she never had to before. But sometimes that kind of
thing cut down on the chance of someone acting wrongly.
“I see.” He carefully set his luggage into
the back of her Ford. “So we’ll make our Escape. See what I did, there?”
“I do … I’ve never actually had anyone
make fun of my vehicle’s model.”
“Ouch.”
Alice opened the car’s back door, as Reed
walked around to the other side. “Halon, get into Lucy.”
Reed paused with his door open. “Lucy?”
The dog vaulted into the back seat, then lurched forward to lick his hand.
“She’d a redhead” Alice patted the Ford’s
top, then got in at the same time Reed did. There was a moment of uncomfortable
closeness before they situated themselves and belted in. “Does your truck have
a name?”
“Clunker. But I named her—it—him? Just
now. I’ve never driven it much, and never out of town … I’m not all that
surprised it didn’t hold up for a road trip.”
“Good thing you were the right man for
that particular breakdown.” She made a mental note to notify the county
dispatch center of the vehicle’s location and the status of its driver, then
gave him a sidelong glance before pulling out onto the highway. “Do, how long
have you been fighting fires?”
“Fourteen years, but I don’t do it
anymore.” His voice seemed to tighten a bit for a moment, then relaxed again.
“How about you?”
She couldn’t help smiling. “Fourteen
years.”
“No kidding? We should start a fourteen-year
club.”
“I have a feeling you were on a busier
department, though.” His t-shirt did indeed have the fire service’s traditional
Maltese cross on it along with a pattern of firefighting tools—crossed ladder
and ax—but there was nothing to identify his department. She’d noticed words
across the back: “Just Point to the Smoke and Get Out of the Way”. Definitely
not an official department shirt.
“Oh, probably. They all burn the same,
though.” He reached back to pat Halon, who had rested her head on his shoulder.
“I decided to move on a few months ago.”
Moving on from firefighting? Alice had a
hard time imagining that. “Have you considered—?”
Halon sat up straight and gave out a
blood-curdling howl.
Shrill beeps came from the pager on her
belt. She jumped a little despite herself, while Reed leaned forward, his eyes
narrowed. The female voice that emerged from the little speaker made her heart
start pounding.
“Mist
Creek Fire, respond to a house fire, 5364 North Old Trail Road. CP advises
heavy smoke from the second floor.”
Alice’s foot, almost unconsciously,
pressed down on the accelerator. Then the address kicked in, and she eased up.
“Oh, boy.”
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