Three things were clear to me after watching James Gunn's version of "Superman":
First, every future version of the Superman story, be it movie, TV show, or animated, should be required by federal law to utilize John Williams' 1978 score. They should even include the sheet music in the comics.
Second, that dog stole every single scene it appeared in.
Third, James Gunn understands comic book movies.
This latest version of Kal El's story starts in mid fight, with Superman getting the worst of it. Gunn wisely avoids still another version of the origin story: It's been three years since Superman donned his colorful outfit, complete with underwear on the outside. As Clark Kent he's already a star reporter, dating Lois Lane and perfecting his alter ego. But as Superman he's overstepped his bounds by interfering in a foreign war, giving everyone's favorite arch-enemy, Lex Luther, the chance to sink his reputation.
Luthor's master class in villainy causes Superman to not only lose public support, but to question himself and his reason for being on Earth. Also, he can't get that darned dog to behave. Soon Supes is hitting rock bottom, part of Luthor's master plan.
David Corenswet and Rachel Brosnahan fit right in as Superman and Lois, and in general the supporting actors do great. I had a little trouble warming up to Nicholas Hoult as Luthor, mostly because his voice was so different from Gene Hackman's, but by the end he was perfect. (Although the character's motivations seemed particularly petty, even for him.) Like Krypto, Nathan Fillion steals every scene he's in as Green Lantern Guy Gardner, a kind of anti-Superman from a personality standpoint.
Milly Alcock has a fun cameo as a new hero, and Fillion's Gardner made for a great comic trio with Edi Gathegi as Mr. Terrific and Isabela Merced as Hawkgirl.
Speaking of those characters--the "Justice Gang"--that's one of the things Gunn does very well. He knew better than to jam major heroes like Batman or Wonder Woman into the first movie of a possible future franchise. Instead, he made a deep dive into comic lore for supporting characters who could be both interesting and fresh. When's the last time you saw Metamorpho in a live action show? I barely remember him from when I was reading comics.
Gunn also understands what made Superman great to begin with, and he took the character back to the beginning, to even before Christopher Reeve times. Superman isn't dark. Superman is a Boy Scout. Not only does Superman wear his underwear on the outside of his costume, he pauses in the middle of city-wide destruction to save squirrels. You want to enrage him? Kidnap his dog.
This is what makes "Superman" a great movie. It's a throwback in the best possible way, and it shows that truly nice guy can still be the hero of the story. Not only that, but a movie starring that character can still be fun.
We can only hope this is the beginning of a universe every bit as entertaining as the Marvel Cinematic Universe, back in the day.
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