Singing Opera In Space



            In all the fuss over the early release of The Notorious Ian Grant, I forgot to update you about work on the rough draft of my “space opera” story. I’m happy to say that, after the much-needed stress relief of a few marathon writing sessions, the initial draft of Beowulf: In Harm’s Way is finished.

            It’s 55,000 words of pure … roughness, and I’m sure it’ll be at least a few thousand words longer by the time I’m finished. Just for the heck of it, I thought I’d share the first moments of the opening scene, which takes place on the United Planets warship CS-214—a craft so small the crew has to name it themselves.

            Now, on to the second draft. And the third, fourth, fifth ….

 ###

            A red light shone out on the shuttle's control board.
            Commander Paul Gage leaned forward, his hands still on the little craft's controls. “What did I do?”
            Beside him, Kurt Biermann shook his head. “Nothing, Skipper—that's a comm alert from the bridge.”
            “Well, that's damned inconvenient when I'm trying to get certified as a shuttle pilot.” Thank goodness they were parked in his ship’s shuttle bay, running a simulation. Gage couldn't remember flying anything since … since the incident.
            The real pilot chuckled. “You know, a ship's captain doesn't have to know how to fly a shuttle. Since I'm usually up at the helm, I'm the one who should be practicing down here.”
            “I ordered cross-training, so I cross-train.” Gage punched the comm button. Lt. Biermann, who no doubt hadn't expected to train anyone while running a shakedown cruise in a ship with only forty-two crewmembers, looked relieved.
            Damage control stations, all hands, we have a fire in engineering. This is not a drill.”
            While Gage pushed the shuttle's door open and leaped out, he noticed Lt. Biermann no longer looked relieved.

Reality: A Little Less Funny Concept

SLIGHTLY OFF THE MARK


            The other night my wife asked me to hand her a bottle of water. I reached for it and said, “When I blow a dollar on a bottle of water …”

            And then I stopped. I’d just learned of the death of Robin Williams, and that’s a line stolen from him. (It ends with, “I buy Perrier.”)

            “Reality … what a concept.”

            Celebrities are people, no matter how much we’re tempted to think otherwise. They often abuse their bodies with everything from drugs and booze to working too-long hours, all of which can make that dying thing come even sooner.

            “Cocaine is God’s way of saying you’re making too much money.”

            Lauren Bacall, a truly legendary actress, died the day after Williams. It’s not the first time the passing of one legend was overshadowed by the passing of another, partially because the height of Bacall’s career came much earlier. We can remember the first time we saw Robin Williams. For me, and many old enough to have been watching, it was a guest appearance on “Happy Days”, playing a very strange alien named Mork.

            “Never fight with an ugly person. They’ve got nothing to lose.”

            He was off and running.

            I last saw Robin Williams in one of the best new sitcoms of last year, “The Crazy Ones”. He was in the groove, and more surprisingly the rest of the cast kept up with him. It was the funniest new show I watched in 2013, but it went up against another good series, “The Michael J. Fox Show”, and they canceled each other out.

            “The Crazy Ones” had the questionable honor of being the highest rated canceled show of the season.

            “Ah, yes, divorce … from the Latin word meaning to rip out a man’s genitals through his wallet.”

            I’m sure all his fans knew Robin had been treated for addictions, and it’s the entertainment community—you can’t swing a sack of pill bottles without hitting someone in treatment. The job seems to attract addictive personalities. Also, there’s a lot of “hurry up and wait” to Hollywood jobs, and idle hands are indeed the Devil’s workshop. Maybe there’d be fewer addicts if they took more time to read books.

            “Death is nature’s way of saying, ‘your table is ready’.”

            On the other hand, I’m not sure how many people realized just how much Robin Williams struggled with depression.

            I knew. It’s possible that’s why his death hit me so hard.

            I’m not one to idolize celebrities. They’re often very good at one or two things, and terrible at just about everything else. They live in a tiny, insulated community, and often have little idea of what real life is about, sometimes not even after it rears up and smacks them in the face. I appreciate their talent, but hero worship for flawed people doing something that usually doesn’t matter in the scheme of things seemed foolish.

            “In America, they really do mythologize people when they die.”

            Still, I stand in awe of people who can stand up and do rapid-fire entertainment without a net—which in this case means without a script or teleprompter. These days, I also stand in awe of people who have energy. Robin Williams had energy and talent by the bushel, and he also had heart. By all accounts he was a genuinely nice guy, on or off the set, and by all accounts he cared. He organized and hosted relief projects, entertained the troops, and stood ready to help friends and strangers alike.

            As for the funny, he never seemed to turn it off.

            And that’s why I knew about his depression. To me it was obvious: One of the things depressed people are particularly good at is hiding their depression. Society teaches us that depression is “all in your head”, and that all you need to do is buck up and fight it off. If you don’t have it, it doesn’t seem real. You’re not bleeding, your bones aren’t broken, your hair isn’t falling out … it couldn’t be that bad.

            I also fancy myself to be a creative person, more or less, although I share with most people a mortal fear of public speaking. In other words, I envied him and felt for him at the same time. I could tell there were demons back there.

            “Comedy is acting out optimism.”

            I fight off my demons with the help of anti-depression techniques, the love of family, the creative process, and—from October through March, when it’s worst—a little happy pill. It never goes away, so you have to control it … or it controls you.

            My depression is not as serious as his was, if you can measure such a thing that way, but I thought Robin Williams had it under control. I never expected his demons would win.

            If there’s any comfort at all we can take in this, it’s that Robin Williams left the world with a body of work that, if put together, could make us all laugh for years on end. And here’s the irony: Humor is one of my anti-depression techniques. It works, again ironically, better for the consumer than for the artist.

            “No matter what people tell you, words and ideas can charge the world.”

            I have no advice here at the end, except perhaps to appreciate what he left and what you have, while you have it. Honestly, I’m still processing. Processing, and hoping that in death, Robin Williams found peace.

            “Seize the day, boys; make your lives extraordinary.”
He made his life extraordinary.

About that “The Notorious Ian Grant” after-the-fact cover reveal …




            Emily updated the website at www.markrhunter.com with links to get The Notorious Ian Grant in the Kindle, Nook, PDF, and EPUB formats. The cover blurb is also there, and of course you can read the first chapter for free. Meanwhile, although it’s already been on some of my social media and it’s way late for this to be a reveal, here’s a better quality version of the book’s cover, done by Gemini Judson:



Yes, this is pretty much how I pictured Ian: Kind of a rascally mix of Groucho Marx and Sawyer from "Lost".

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Some things are going faster than planned

Oh, and yay!

My new book is out! … much to my surprise.



            As all fourteen of my regular readers know, my newest and funniest book, The Notorious Ian Grant, comes out in October. (Yes, I’m aware it’s a little early to make that claim. I’m working on my self-confidence.)

Almost nine of those fourteen readers are also aware that my publisher, Whiskey Creek Press, has been acquired by a larger publisher, Start Publishing. (Incidentally, if you Google Start Publishing, you have to wade through a lot of advertisers wanting you to … start publishing.)
Now, sometimes, during an acquisitions process, things can get … mixed up. And … *ahem* well, here’s the thing:

The Notorious Ian Grant has already been published.

I found out by accident early Saturday. According to Amazon, it came out as an e-book the previous Thursday. Barnes and Noble had it up on Friday, and it’s also up on the Whiskey Creek Press website. All for $3.99, by the way, which is a nice drop from the initial price of my first book.

The print version isn’t available yet, because that’s something I’m involved with, and I’d planned to time it with the e-book release. In October. But don’t worry, I’m on it, and the website will soon be updated with order information, too.

So my big build-up to the release date, including the cover reveal and the related short story giveaways, will be somewhat anti-climactic. On the other hand, considering the nightmares you sometimes hear about publishing delays, it’s hard to complain too much.


The links:



Oh, and the cover: