Movie review: Supergirl

 There have been a lot of Supergirls.

I fell in love with the first one, who was my age (at the time) and had that cute skirt because, hey, I was an adolescent. I'd have changed my mind if I had to wear it myself. My second favorite was Melissa Benoist from the CW TV show. They were both very much traditional: truth, justice, no killing, all good all the time, just like her cousin Clark.

But that was also the problem with Kara Zor-El: She was a female Superman, and we already had a Superman. I suspect that's why the movie makers took a hard turn away from the Superman movie.

Success was limited. That's no fault of Milly Alcock, who does a fine job as a damaged Kara who had to watch her whole civilization die, slowly, before being rocketed off as the last survivor of her Kryptonian city. Unlike Clark, Kara experienced the death of everyone and everything she loved, with the exception of a puppy she saves.

Now she's rocketing around the galaxy to planets with red suns, where she can feel the effects of the alcohol she's using to forget her pain. She's a mess, but when a generic bad guy shows up and poisons the dog, she pulls a full-on John Wick and goes looking for him. She had three days to get the antidote, because deadlines are a great trope.

 

Turns out the bad guy is trafficking women and girls to be wives for his somehow man-only planet, and he doesn't hesitate to kill anyone who gets in his way. Kara's sense of justice emerges along with her desperation. Despite all of her attempts otherwise, she teams up with a young girl (an alien named Ruthye!) She's also reluctant to get help from Lobo, a somewhat mental bounty hunter/god who shows up first for a bounty, then apparently because he just likes to destroy stuff.

Kara could have cleaned up with whole situation in minutes if she had her powers. It just goes to show, drinking is a bad idea no matter what planet you do it on. Meanwhile the bad guys, led by main villain, dog-shooter and frankly forgettable Drom Baxton, have apparently gotten wind of Superman and moved to a planet that's deadly to Kryptonians.

I don't usually do this much plot explaining, but I was figuring some of this out as I wrote it.

None of this means you shouldn't watch Supergirl, but you shouldn't go in expecting a sequel to Superman. This is not a typical superhero story of a world or galaxy endangered; it's just a girl trying to save her dog, and maturing a bit along the way. This Kara is, and I think this is good, a far cry from her cousin, who shows up a few times but (and this is also good) never finds out she needs help.

 

 It's a much more intimate story, a bit too drab for my taste, and the script could have been punched up. Still, it was saved by the performances of Alcock, and Jason Momoa as Lobo. I very much hope we see both of them in future DC movies, hopefully with a better script and a more colorful world.

 

 My ranking: 

Entertainment value:  3 M&Ms out of 4. I know a lot of hate is being poured on this movie, and with good reason. But as a summer popcorn flick, I really liked it.

Oscar potential:   1 M&M out of 4. Probably less; there are good performances here, but the story was weak.

 

 

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Movie review: Superman

Three things were clear to me after watching James Gunn's version of "Superman":

 First, every future version of the Superman story, be it movie, TV show, or animated, should be required by federal law to utilize John Williams' 1978 score. They should even include the sheet music in the comics.

 

 Second, that dog stole every single scene it appeared in.

Third, James Gunn understands comic book movies.

This latest version of Kal El's story starts in mid fight, with Superman getting the worst of it. Gunn wisely avoids still another version of the origin story: It's been three years since Superman donned his colorful outfit, complete with underwear on the outside. As Clark Kent he's already a star reporter, dating Lois Lane and perfecting his alter ego. But as Superman he's overstepped his bounds by interfering in a foreign war, giving everyone's favorite arch-enemy, Lex Luther, the chance to sink his reputation.

Luthor's master class in villainy causes Superman to not only lose public support, but to question himself and his reason for being on Earth. Also, he can't get that darned dog to behave. Soon Supes is hitting rock bottom, part of Luthor's master plan.

 David Corenswet and Rachel Brosnahan fit right in as Superman and Lois, and in general the supporting actors do great. I had a little trouble warming up to Nicholas Hoult as Luthor, mostly because his voice was so different from Gene Hackman's, but by the end he was perfect. (Although the character's motivations seemed particularly petty, even for him.) Like Krypto, Nathan Fillion steals every scene he's in as Green Lantern Guy Gardner, a kind of anti-Superman from a personality standpoint.

 

 Milly Alcock has a fun cameo as a new hero, and Fillion's Gardner made for a great comic trio with Edi Gathegi as Mr. Terrific and Isabela Merced as Hawkgirl.

Speaking of those characters--the "Justice Gang"--that's one of the things Gunn does very well. He knew better than to jam major heroes like Batman or Wonder Woman into the first movie of a possible future franchise. Instead, he made a deep dive into comic lore for supporting characters who could be both interesting and fresh. When's the last time you saw Metamorpho in a live action show? I barely remember him from when I was reading comics.

 

 

Gunn also understands what made Superman great to begin with, and he took the character back to the beginning, to even before Christopher Reeve times. Superman isn't dark. Superman is a Boy Scout. Not only does Superman wear his underwear on the outside of his costume, he pauses in the middle of city-wide destruction to save squirrels. You want to enrage him? Kidnap his dog.

This is what makes "Superman" a great movie. It's a throwback in the best possible way, and it shows that  truly nice guy can still be the hero of the story. Not only that, but a movie starring that character can still be fun.

We can only hope this is the beginning of a universe every bit as entertaining as the Marvel Cinematic Universe, back in the day.  

 

 

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movie review: The Flash

Emily and I decided to get The Flash on demand--which cost less than going to the theater, although I do love action movies on the big screen. As it turns out, maybe that was for the best.

One of the complaints I've heard about The Flash was that the CGI quality was bad. I did notice it a few times, but overall it didn't take me out of the story at all. Maybe that was seeing it on the small screen, or maybe it was because I grew up at a time when special effects were limited to miniature models and animation.

The other complaint is that the star, Ezra Miller, is a violent felon. That's kind of a big deal, and if it's true they should be in prison, or possible a secure mental institution, if those exist any more. I don't have a whole lot of sympathy for that kind of person.

But from a standpoint of the movie, I don't care.

Hollywood is full of terrible people. I'll bet most entertainment projects have at least one person who others should be protected from. I'm surprised when a celebrity turns out not to have skeletons in their proverbial closet. This is becoming more obvious with each passing year.

But I like a movie or I don't, and I loved The Flash. Not only that, but Miller did a great acting job, something I didn't expect in a superhero flick. The entire plot is driven by one tragedy in Barry Allen's past, and Miller gives a performance that could bring a tear to your eye.

 Which just goes to show, having talent is only part of what a person is.

I like strong characters, great dialogue, and a nice dose of humor. The Flash also hit on something more specific: I love time travel stories, crossovers, and tales involving a multiverse, the latter being why the Oscars and I finally agreed last year.

The movie starts when Barry Allen/Flash accidentally discovers he can time travel. Despite a warning about the dangers--from Batman, no less, who explains their losses are part of who they are--Barry latches onto the idea that he can save his mother, who died when he was a kid.

He plans his actions carefully, to make the least impact on the timeline and, of course, everything goes horribly wrong. A Big Bad from a previous DC movie shows up, but Superman doesn't exist to defeat him, this time; there don't seem to be any superheroes on this Earth. Barry finds himself trying to save a world that isn't his, anymore.

Other heroes eventually emerge, of course, and one of the joys of The Flash is seeing him and his new allies interacting. (If you've watched the previews, you know who they are.) There are also numerous cameos by other heroes, something I'm sure many people hated that gave me great joy. In the context of the story it makes sense, or at least as much sense movies about costumed meta-humans ever do.

There's also an after-credits scene that throws Barry's normal world on its side, and would beg explanation--if there was to be a sequel. I think it's safe to assume the next Flash will be a different actor in a rebooted universe, so there's no use pondering that.

So yes, we loved The Flash. I think most people, if they can see around the behind-the-scenes trouble, would too. Then again, some people hate superhero movies no matter how good they are, and if any of those people have read this far, I can only ask: why?

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