Showing posts with label writer's life. Show all posts
Showing posts with label writer's life. Show all posts

Read a Scene From My New Novel In This Month's Newsletter

 This month's newsletter is out, and with it an excerpt from my newest NaNoWriMo novel, Christmas On Mist Creek! You can find it here:

 https://mailchi.mp/44770eabb377/a-free-read-from-nanowrimo?e=2b1e842057

  (By the way, if you sign up for the newsletter your e-mail address will NOT be sold or given to anyone else.)

I've completed the rough draft, and also won NaNoWriMo by going past the 50,000 word goal and hitting 59,296 words. The novel itself is actually about 56,500 words: The extra is the word count from other writing I did during the month, including writing a blog and the newsletter itself.

How long it will take to edit and polish the work, I don't know. I already saw some spots in the scene I posted that I'd like to change, including an opening that's a bit too stereotypical romance novel. But hey--that's what editing is for.


Remember, every time you sign up for a newsletter, Benjamin Franklin's ghost gets another beer. Ben loved beer--that's why he hung around Sam Adams.



(Also, don't forget: Buy books for Christmas!)

 Find ours:

http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

Seven Reasons Why Books Are the Best Christmas Gift


I suppose this would be a good time to remind all of you that books are, by far, the best Christmas gifts. Yes, even for non-readers: In fact, books owned by people who don’t read are not only great re-gifts, but when not re-gifted they’re among the books in the best condition. No dog-ears, no food stains, no bent pages … pristine. Two hundred years from now, you can resell books in such good condition for enough money to make up for inflation, if you should happen to still be alive.
In addition to that, books:
Require no batteries. (Except e-books, and those don't kill trees. That I know of.)
Almost never rot your brains.
In hardcover editions can be used for self-defense.
Can be hollowed out to hide all sorts of contraband and/or listening devices.
Make bookcases much more useful.
Never go offline during power outages, assuming you have backup lighting. If you don’t have that in case of power outages, are you really smart enough to read?
Also, should you buy our books, you’re shopping locally. This makes me happy, and don’t you want to see me happy? I thought so.
Don't make me send the Santa Mafia after you. They're always present.

 
But if you’ve heard horror stories about going out shopping this time of year, you could always go to our website at http://www.markrhunter.com/books.html. This gives you a choice of several books in five or six different genres (because I just can’t seem to keep my mind on one thing), with prices ranging all the way down to free (for Strange Portals, anyway. Did you know you can send e-books as gifts?) It’s like Black Friday somehow turned into bright December.

So that’s my pitch, and if you spread the word I promise I’ll continue to be funny and entertaining. 

Okay, I’ll try.


 
 

Edit, People ... Or Suffer My Fate

 Let me tell you all a story of improper editing, and how I left a path of scorched earth behind me that no army could hope to replicate.

The worst part is: It's all my fault. Try as I might, I can't blame anyone else, an idea that sets people (especially politicians and mid-level management) quaking in fear.

But you can learn from my fate, if you're a writer. Or even if you're not.

While a literary agent isn't an absolute requirement to be traditionally published, they can open doors and otherwise be a great help to an author's career. What agents want in their submission packages varies, as I've mentioned before. Generally they ask for a query letter, an author bio, the opening pages of your book (anywhere from five pages to several chapters), and a synopsis.

Writers hate the synopsis. You have to boil your (in this case) 82,000 word novel down into just a couple of pages, which should reveal all your major characters, plot, setting, and ending. That's all. How hard could it be?

For most writers, it's pretty hard.

I suppose Beowulf wonders why I keep taking photos of him while I'm writing. It's because he DISTRACTS ME.

Okay, so I had an outline for We Love Trouble, but it was too long to serve as a typical synopsis. After months of writing, revising, editing, and polishing the manuscript, I had to carve that outline down even more. I was exhausted. But the job wasn't over, so I by-gosh carved out that synopsis, finishing when it was so late even the dog was asleep.

The next day, confident I had everything ready, I started submitting.

Now, most literary agents accept simultaneous submissions. That is to say, they don't mind if you submit to more than one at a time. Most publishers have a problem with that: They want to be the only publisher that can see your manuscript for several months before they send you a form rejection letter. That becomes an incredibly stressful waiting game for writers.

Just the same, a good author-agent relationship is vital, so I carefully select which agents I'm going to query. The synopsis stays the same, of course. Imagine writing a new synopsis every time! Since I do the extra research, over the course of two weeks I only submitted to fourteen agents. They were ones I thought would make for a good fit.

Then I went on to other things: Writing, editing, submitting short stories, occasionally sleeping. Replies began to trickle in, all but one of them form rejections. It appeared that my careful targeting impressed no one.

A couple of months later I got time to send more submissions. I skimmed over my materials, just to make sure I didn't want to change anything. That's when I discovered I had whittled my outline down to a synopsis ...

But I didn't check that synopsis for errors.



"Oh, that? It's the dumpster fire that used to be my writing career. Move along."

I sent it on rife with typos, misplaced words, and ... well, no spelling errors, but otherwise it was a trian wrack. Just like that, my two weeks of submitting was cleared away like a tornado sucking up a trailer park. If those agents remember me at all, it will be with the kind of dislike people reserve for drivers who cut them off in traffic. No one's perfect, but this wasn't one error: This was as if FDR started off his famous Pearl Harbor speech by getting the date wrong.

"December 6th, 1942 ... a date that will ... no, wait ...."

Since corrected, of course, but that doesn't get those agents back on my possibilities list. E-mail addresses can be whitelisted to allow them through--mine has been blacklisted. I can only hope they aren't swapping stories about me at agent conventions.

Learn from my fate. Edit. Polish. But for crying out loud, if you have to revise, go back and polish again. Some people will tell you too much time can be spent on editing, but I'm living proof that the opposite is also true.

Ah, well ... I'm sure I'll laugh about this someday.

No. No, I won't.


http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

4H Writers Write Right Writing

 If I'm counting correctly (which is never a given), this is my sixth year judging 4H prose writing entries. And to think, before that I used to think all 4H kids did was push animals around.

Truth is, 4H'ers do a lot more than working with farm animals, which is probably what the average person thinks of. It's too bad they don't get more credit. When I was a kid we'd walk the fairway of the Noble County 4H fair, and when we got to the end I was puzzled by why they had all those barns full of cows, sheep, goats, and various other four legged guys. Since we didn't have the money to buy a lot of food or ride a lot of rides, I eventually wandered around enough to figure things out.

(For any of you who haven't gone to fairs, be cautious about buying a lot of food AND riding a lot of rides.)



Do 4H members show turkeys? I feel like they should.


I wonder if they had the writing stuff when I was a kid? I'd have been all over that: Other than extra credit in English class, I had nowhere to go with my writing until I turned eighteen, and started my eclectic collection of rejection slips. Not one of those rejections had a ribbon on it--not even a white ribbon.



Speaking of which, I don't know if it's a sign that I'm too easy, but I think I gave all but one of the entries a blue ribbon this year. With the one that got a red ribbon, it was really close to blue. The problem is, I have a clear memory of how good my writing was at the same age, and they're all better than I was. That's in all three categories--the youngest are at about the same level I was at the intermediate stage. The oldest are better than I was when I started submitting, which maybe explains the rejection slips. I'd have been a red ribbon all the way through, if not white.

So I had to not only keep in mind their ages when judging the entries, I also had to guard my self-esteem. I thought about turning on reality TV shows and saying "at least I'm not on a reality TV show!", but I didn't deserve that kind of punishment. Instead I told myself I was good enough to deserve chocolate. Then I ate chocolate.

If one of them hits the best-seller list before I do, there won't be enough chocolate in the world.

Look! A 4H clover!



Why We Love Trouble is a mystery

See that little play on words I did with the title? No? Never mind.

 

 I finished the final polishing of We Love Trouble. It tops out at 81,000 words--still the longest novel I've written yet. Boy, is writing a mystery tough: characters, suspects, clues, red herrings, ghosts, horses, Bigfoot ... 

 Well, it's that kind of story.

I already have Beowulf: In Harm's Way, Fire On Mist Creek, and Summer Jobs Are Murder at various points in the submission process, and I think I'll send this one out on the literary agent hunt. I really like it ... which doesn't mean it's good, of course, but if readers have half as much fun reading it as I did writing it, it should do pretty well.

I've described We Love Trouble as "The Thin Man meets Scooby Doo". For those of you who don't remember "The Thin Man", I could also describe it as "Hart to Hart Meets Scooby Doo". For those who don't remember "Hart to Hart", I'm at something of a loss. I assume everyone has heard of Scooby Doo.

I finished a submission cover letter, and here's one of the blurbs I came up with:


A near collision with a riderless horse leads travel bloggers Travis and Victoria Noble to an unconscious teenager—then to a dead man. A quiet Indiana camping trip for the Suzuki twins and their steeds has become a conspiracy involving horse racing, blackmail, and … morel mushrooms.

It's another fun mystery for the always helpful Nobles, who are so used to being suspects they have bail money on speed dial. Not so for their dog Wulfgar, whose unusual talents include seeing dead people. He struggles to protect his humans and pass on what the ghosts tell him: Something's unusual about the twins' horses, and the threat to the Suzuki family—and the Nobles—is far more than supernatural.

 

Yeah, I'd read that. Well, I already have, about a dozen times.

 

"Did you say dog?"


 


http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

 

How to win NaNoWriMo

 I'm doing NaNoWriMo this year, and aren't you jealous?

No, it's not a yodeling contest in Wisconsin. Sheesh. It stands for National Novel Writing Month, the month being November, and the challenge being to write 50,000 words in 30 days. That figures out to ... let's see ... carry the--ah. 1,667 words per day, on the average.

Doesn't sound like much ... until you try it.

Personally, I would have chosen NaNoWriMo to be in January, which has an extra day, no holidays, and absolutely no reason to go outside. (What, New Year's? Let's face it: That holiday is actually on December 31st. After that a ball drops, you kiss someone through a mask, go home, and sleep late. Start writing at noon, and you're good.)

But the advantage of November is that you can use the excuse to leap up as soon as the turkey is eaten on Thanksgiving. "Sorry, love catching up with the family but Uncle Bert has already started with the political insults and the football game will be boring gotta go!" And you're outta there.

 

 

If you're a writer, you have the advantage of being too poor to go do anything else anyway, so why not give it a try? I won NaNoWriMo twice, with my manuscripts for Summer Jobs Are Murder and Fire On Mist Creek, both now quietly accumulating rejection slips in the corner. So I can give you a few tips on how to make it through the month, which is intended to give wannabe writers a kick in the proverbial pants:

Have your story ready to go. Characters created, outlines done (if you’re an outliner), research … um, researched. You should be prepared to type the first line of the actual story at 12:01 a.m. November 1st. (Or 10 a.m., or whenever you start.)

Second, take care of personal matters. Have a talk with friends and family. Tell them why it’s important to you. Make sure they either support you, or your locks are changed. If there’s some TV show you can’t stand to miss, DVR it. Take care to stay hydrated and eat proper meals, and every once in awhile get up and make sure your legs still work. Hire someone to make the meals and do the dishes.

Oh, wait, you're a writer--you can't afford to hire anyone.

Third, clear your schedule. As much as possible, anything you need to do, have done in October. Doctor appointments, for instance. Or, delay it until December. Laundry, for instance.

In other words, free up as much time as possible, and use that time for writing—writing first. Sure, if you cut a finger off you have to go to the hospital, but couldn’t you just bandage up an amputated toe for a few weeks? You don’t type with your toes.

Do you?

Once you get started writing, keep at it--don't worry about typos or other problems, you can fix those in edits. Get your story down.

I'm doing what I've been calling my Untitled Oz Project, which has no title.  (My original titles always suck, anyway.) Tell me yours! You've got nothing to lose but 30 days ... and maybe a toe.

If anyone wants to tag along on my trip, or maybe try a trip of your own, my NaNoWriMo account is here:

https://nanowrimo.org/participants/mark-r-hunter


 

 

 

 


new from New Mexico and New York on a new 50 Authors From 50 States ... who knew?

 New Mexico enchants with author Vicky Ramakka:

 https://annettesnyder.blogspot.com/2020/08/new-mexico-enchants-vicky-ramakka.html

 

Meanwhile, author June Trop's look at New York includes the oldest living street in America! Well, I mean, the street isn't living ...

 

https://annettesnyder.blogspot.com/2020/08/the-deadliest-thief-by-june-trop-of-new.html

 

 

Also meanwhile, I finally finished sorting photos for our newest writing project--working on the first draft (mostly captions) now.


Nebraska writes and Missouri blows up on 50 Authors From 50 States

A mini-vacation blows its way into a corner of my wife's home state, Missouri--literally--on last week's 50 Authors from 50 States:


while author Loree Peery looks in on her Nebraska in this week's addition:


https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYJcvj5BCqLksTfYnOtF6TCjQFlyjSV9uU_QeQH_0zxZ_3SDjpkuLpHXepNI7en5cPcKlauw0qgcKc_uZMDDPwfjsyKVZdrOBxq-O7Spq04MXc7nOIW1onIlHQTPrsovka9F9dHidJgA/s4032/IMG_5619.JPG
A frightening mix ...

Summer Means 4H Writing ... Well, To Me

So, I spent another July week judging prose writing projects for the Noble County 4-H (which still has some judging going despite the sad cancellation of this year's 4-H Fair). Apparently I've been doing this every year since 2016; time flies when you're being impressed.

And boy, as usual, am I impressed.

This year they range in grades from 6th to 12th, which makes it even more difficult to judge, as you have to take their ages and relative experience into consideration. But while I've seen plenty of writing that needed work, I haven't seen any yet that I'd characterize as being bad. One piece from this year is freaking brilliant. Another writer needs to work on their fundamentals, but still almost had me rolling on the floor with funny scenes.

I'm so jealous.

I started writing steadily at around sixth grade, but didn't  come up with anything approaching good until the middle of high school. I didn't start getting good at my fundamentals--grammar, spelling, sentence structure--until after high school. See, in English class, instead of paying attention, I was in the back row writing fiction. As a writer, I was trying to build a house without knowing how to use a hammer or saw.

(I still don't know how to build a house, but hey, it's just a metaphor. Or simile. One of those things. On a related note, sometimes I'm still not that great at fundamentals.)

So after high school I bought a used English textbook and actually taught myself the stuff I hadn't picked up before. After that, I got a little better. Some would say.



If the kids have a common problem, it's that they need to understand that writing is rewriting. I'm seeing good work that just needs to be edited and polished, more than anything else. They're already as good as I was at their age: A little work, and they'll be better.

And hey, more competition is just what I need. That, and editing.



Indiana Gets April Prize on 50 Authors From 50 States

My post on Indiana was the monthly winner on 50 Authors From 50 States, and so one of my commenters has won April's grand prize! Mari C. (you know who you are!) will get a gift made in right here in the Hoosier State, by Homespun of Indiana. Here's my original post:

https://annettesnyder.blogspot.com/2020/04/talented-author-mark-hunter-shares-his.html

Thanks to Mari and everyone else who commented, there's an Indiana sidebar post on the 50 Authors page this week. Oh, and here's the website of the company that's providing the prize:

https://shop.homespunindy.com/

Thanks again, everyone!

Meanwhile, this week's entry on 50 Authors From 50 States covers Maine:

https://annettesnyder.blogspot.com/2020/05/fiona-mcgiers-maine.html







Any book is better with horses, and dogs, and The Wizard of Oz

I've already worked into my novel-in-progress three atrocious puns, three references to The Wizard of Oz, two more to Harry Potter, two horses, and ... well, just one dog, but he's an unusually smart dog.

And it just hit 70,000 words, making "We Love Trouble" my longest rough draft ever.

There's also a line of dialogue that makes me giggle every time I go over it, but we'll see whether it's actually funny, or just reacting with my warped mind. Either way, I'm feeling pretty darned good about the story right now.

Two horses .. (not the same horses)

One dog. (Picture this dog, only darker and a little larger.)

Juggling Book Projects Can Give You a Headache

After hitting 28,000 words on the first draft of my new novel, We Love Trouble, I'm calling a halt to it.

Temporarily! Come on, I'm not going to give up on a story that I've described as The Thin Man meets Scooby-Doo. I'm having way too much fun.

But Emily and I wanted to get our new humor book, Still Slightly Off the Mark, out before the Christmas season. It's been so long since I last went over the final draft that I assumed--correctly--that I'd find more mistakes. So, while Emily works on the cover, I've started a line edit.

Emily's trying for a cover that's similar to the one for the original Slightly Off the Mark, seen here. But not so similar people think it's the same book. A lot of juggling goes on in the writing business.


Then I'm going to finish the rough draft of We Love Trouble, and while that cools and awaits a second draft, I'll finally go back to pulling photos together for our Albion Fire Department photo book.

It's like cooking a meal with multiple dishes at the same time. You have to add the various ingredients at the right moment, have them cooking at the right temperature, and keep anything from burning. I've always been exceptionally bad at cooking multiple-dish meals, which is why I make sure my smoke detector batteries are good.

Hopefully I'll be better with the multiple book projects. Although, come to think of it, if I should hear back from an agent or publisher things will get even more complicated.

Remember, if you don't get it all done, tomorrow is another day. Assuming those are early morning clouds, and not a UFO approaching.

 
 
Don't forget to find us on social media, including:
Goodreads: https://www.goodreads.com/author/show/4898846.Mark_R_Hunter

4-H Writers Show Potential


I received this year's Noble County 4-H Creative Writing Projects the other day, so I'll be busy with the judging for several days.

I kind of hate that word, judging. Who am I to judge? I should forward all of these to George R.R. Martin or J.K. Rowling, they could judge ... but they're probably busy buying countries, or something.

When people start referring to me as M.R. Hunter, maybe I'll be too busy too. Until then, it's only right to help along aspiring authors. I was one, once ... and in many ways I'm still aspiring, along with inspiring and perspiring. So I'll do my best to do right by them.

Still, it's hard to be objective, especially when you can still remember how flimsy your own self-esteem was back then, and by you I mean me. Also, there are three categories, and it's important not to judge one by the standards of another. It would be like judging a college essay, then using the same standard to judge a third grader's "what I did last summer" paper.

Every 4-H entry I've read showed potential for great works to come. I hope I'll see all their names on a bookshelf, someday.


Still time to comment and get a copy of Coming Attractions

You have a few more days to comment on my post at Annette Snyder's blog, 50 Authors From 50 States, and get a chance to win a free copy of Coming Attractions:

https://annettesnyder.blogspot.com/


Okay, so I already have my own copy of Coming Attractions ... but I had to pay for it. Just leave a comment over there (I'd rather you read the article first), and you could get one for free.

And if you do win it please leave a review: Whenever an author gets a review he has good dreams--nothing like the one I had last night, with the flooded basement and the giant spiders. Ick.



The Dreaded Rejection Letter

Dear Author,
Thank you for submitting your work to us. Unfortunately, it doesn't meet our needs at the present time, but we wish you future success.

Sincerely,
The Editor

Well, that's what they write. Any professional in the business will tell you editors, agents, and publishers don't reject writers: They reject pieces of paper with words written on them. However, that's not what writers hear:

Dear Loser,
 We considered using your manuscript as a coaster, but it was stinking up the place so much we couldn't even be bothered to steam off the stamps. Hopefully we'll never hear from you again, but wish you success at a more appropriate profession, such as fish cleaner or stall mucker.
Go Away,
The Editors

And that's not fair, because in the publishing industry the gatekeepers are inundated with hundreds of--let's face it, sometimes desperate--writers every day. Sometimes a form rejection letter (more likely e-mail) is all they have time for; sometimes they don't have time even for that. There are lots of things to complain about with the publishing industry, but on an individual basis the people working there are pretty decent.


Still, writers get more rejections than a nerd at a sports bar, and I should know. (Just kidding--I never went to sports bars.) In fact, if you're doing it right you're going to get lots and lots of rejections. But sometimes, especially if you're having a down day overall, your umpteenth rejection will show up and just hit you harder than most. That's what happened to me, anyway.

When I first started out, back in the days of snail mail delivered by the Pony Express, I collected enough form rejection letters to paper my office walls ... which would have looked better than the wallpaper I actually had at the time. Later I'd get the occasional encouraging note at the end of one. Then I'd get brief, but personal, rejections. Then more detailed ones, and then, one day, an acceptance. A few times after that, I received some detailed letters describing why they were rejecting the manuscript, or even asking for some changes and a resubmission. Now it's decades since I started out: I have nine published books, and stories in three anthologies.

And I still get form rejection letters.

So yeah, it gets me down sometimes, especially this time of year when the days are short. But after all this time, I've developed a method of dealing with these bouts of sudden depression: I go to my laptop, open up a word document ...

And start working on another story.

It doesn't get me published ... well, not immediately. But it does remind me of why I'm doing this to begin with.

Sometimes the writing life just goes to the dogs.

Writing, Revision, and Thanksgiving Bloat

When it comes to revision, there are two kinds of writers: Those who need to cut, and those who need to ... um, uncut.

Most writers tend to put too much into their first drafts, and so have to go in and cut later. There's nothing wrong with that, as long as they actually do go back. A bloated manuscript is like your uncle on Thanksgiving evening; just sitting there, listless and fat, dull and motionless, at least until the half time bathroom break.

Well, that's how I am at Thanksgiving, anyway.

I have the opposite authorial problem: I tend to write sparse. Usually, the word count for my novel manuscripts is at the low end of what's considered a novel ... which maybe isn't such a bad thing, in these days of too much to do and not enough time for a good read. If War and Peace was written today, it would just be War.

I expanded the name of my novel in progress from Unnamed Space Opera to Beowulf: In Harm's Way, because that added one word to the word count, and every little word counts. Kidding! Actually, Unnamed Space Opera has been used. Anyway, late last year the manuscript had a word count of 62,500. (give or take, depending on the title. Okay, 62,522.)

I got busy for awhile after that, leaving the story to get "cold"; which is a good thing, not like at Thanksgiving dinner. Then, in April, I made a mistake: I sent the first three chapters and a synopsis off to an agent, and I went through the now-cold manuscript for a final polishing.

Unfortunately, I did it in that order.

I thought I'd fixed up the first three chapters previously, but as I went over them again I found several mistakes, plus areas that could use improvement. Writing off that agent (I've since received her form rejection), I started work again. I made numerous changes, and added something like two thousand more words. Along the way I realized I'd started small story arcs with a couple of characters that never really closed out in a satisfactory way. After some thought, I came up with a 2,000 word scene toward the end of the story that I think does the trick.

So my manuscript, which I "finished" before the holidays last year, weighed in at 66,788 words. That's over 4,200 words more than the previous version, even considering the stuff I removed while adding other things. That, by the way, is the second time I let the manuscript get cold.

What have we learned from this? One, let your manuscript cool, or it'll burn you. Two, writing's hard. Three, don't throw away a shot at publication because you're in a hurry. Four, don't overeat at holidays. And I suppose the thing about not giving up your day job still stands.

So I'm done now, right? I mean, I spell checked and polished the thing six months ago! No ... no. I made so many changes in the story, I had to go through and polish all over again. That's the biz. The "final" draft now weighs 6,7248 words, almost 500 words more.

Then my wife gets a look at it. She finds all the problems I missed, and I start all over again ... again.

Now I'm curious to know about your revision process, if you're an author. Or even if you're not--there's no law saying non-writers can't revise. But for now ...

For some reason, I'm in the mood for turkey. Hopefully that speaks to food, and not the quality of the story.

Revision season



Writers have seasons. Often it’s the season of our discontent.
It’s revision and editing season for me—which is nowhere near as much fun as writing season, but more fun than submission season. Submission season is like living in International Falls, Minnesota during winter, only without the certainty that spring will someday arrive.
But it’s been productive, and kept me away from politics on the internet.
I made numerous revisions to Coming Attractions, most suggested by the editor who last rejected the manuscript, and it’s definitely better for it.  I did not make the major revision they suggested. That means I can’t resubmit to them, but I can still chalk it up as kind of a free editorial service. The glass is half full.
Meanwhile, I’d thought I was mostly done with Beowulf: In Harm’s Way, a science fiction story that may, or may not, be space opera. (There are violent disagreements over the definition.) I started out to just check the polished manuscript for mistakes, and discovered it wasn’t so very as polished, after all.
When a writer puts a manuscript away for a while and then comes back to it, all sorts of problems will pop up that were invisible in the heat of the moment. (Summer?) That was the case here, and I spent weeks revising. Now I need to polish and check for mistakes yet again, then give it to someone else who will, no doubt, find still more mistakes.
Then will come … submission season. However, that’s better than promotion season. Sometimes, during promotion season, I feel as if I’m standing in the middle of a quiet residential area in the middle of the night, screaming my lungs off. You want to attract interest, not annoyance.
Well, life is less bland when it’s seasoned.